Quips and summaries from experiencing and appreciating music in a city that is as foreign and familiar as they come - New York. So here is to music anywhere and everywhere. Starting from concert one on week one after the move in 2009.
Showing posts with label David Byrne. Show all posts
Showing posts with label David Byrne. Show all posts

Wednesday, February 24, 2010

A Lecture By David Byrne

I recently attended a night of stories at the Bowery Ballroom
with David Byrne as the headliner. It was called Stories in High Fidelity.
New York writer Alan Light told a wonderful story of his 6 year
old's obsession with the Beatles. Dan Kennedy discussed his summer
working in a record store in the Midwest as a 'project' for his next novel
- he reflected on the perils of filing punk and metal albums and how to tell
the difference by the cover art or elements of the band name
(Ex. where does one put an album where the cover art features skeletons
with gas masks on standing over a pool of blood? - Metal).
The main event was Mr. Byrne, his laptop, a screen behind him
and a sound guy on cue. He was engaging and intelligent as I
have always seen him in interviews though he seemed a bit more
scattered even nervous for this particular showing. That said, the ideas
and views he shared during his speech was fascinating. He focused on
music (obviously) but started with music hundreds of years ago
- how music used to be created for a particular environment such as
Mozart and Beethoven performing in beautiful performance halls with
meticulously built acoustics eventually leading to huge car speakers
being a popular vehicle for rap music. He talked about how the
portable music player changed a listener's experience; you now have
the ability to hear very intricate arrangements and every lyric of a song.
He transitioned into how this change of music affects how musicians
create and are ultimately compensated for their creations
(records, performances, etc). He made this transition by explaining
how birds that keep low to the ground have a lower pitched song when
calling each other and higher flying birds, a higher pitch to their call.
However, for the birds living in and around San Francisco, as the traffic
and noise of the city has increased their pitch has gotten higher in order
to hear each other's call. I thought it was a very creative way to say that
even though the environment can change for a musician, the need to create
sound and be expressive through song will always exist and music will always
be made. Humans are just like birds in that they will adjust because we
need and love the sound. Well put, la resistance musicians!
The night was wrapped up well by singer Nicole Atkins performing an
acoustic set, just her and her guitar, where cartoonist Michael Arthur
drew a scene related to each song and it was projected on a screen behind Nicole.
With every song he started a new drawing off the last one so by the end
of her set was this cool little cluster of images. My friend said Bright Eyes
had done a similar stunt at a concert she had attended. It reminded me of this
artist that was very popular in Denver, Denny Dent, who would perform
publicly painting these huge murals in three songs or so. They were often
the pictures of the artist he would play though the way he painted you did not see
the likeness until the very end - when he painted Jimi Hendrix he had to turn
the painting upside down to see that it was in fact Jimi. Coming back from
that tangent, Nicole Atkins has a pretty great voice and the cartoons actually
helped to understand the stories of her songs.
Go see David Byrne whenever he is speaking, no matter what he
is speaking about. This one lecture gave me a new way to say the music
industry will survive and new awesome music will always be
there to discover.

Tuesday, June 9, 2009

David Byrne in Virginal White, in Public, with Interpretive Dancers

... this is how I spent my favorite Monday of 2009. On June 8th, David Byrne and Company (dance and music) played a free concert to kick off Celebrate Brooklyn, a summer concert series in Prospect Park in Brooklyn. He had everyone onstage wear white, play white instruments, and not only keep good rhythm but demonstrate rhythm via dancing. 3 dancers ran on and off the stage performing interpretive dance/ballet/acrobatics; at one point they danced while sitting on office chairs and David participated in the choreography. They were David's New Age sprites.
Image of David <span class=
Mr. Byrne is currently on a year-long world tour performing the music he has created with Brian Eno throughout his career along with a few Talking Heads favorites like Once in a Lifetime (my favorite song in 8th grade) and Burning Down the House - phew because I am pretty sure 67% of the people would have said the show was only fair if he had not played that gem. Side note - does anyone really know the words to that song, really?
David greeted the very diverse, very Brooklyn crowd by saying, "I'll be your waiter tonight. My name is Dave and here are the specials." He then launched into Strange Overtones, one of my favorite songs from their recent album and tour title 'Everything that Happens will Happen Today.'
I read up on David Byrne and had no idea the versatility of this artist: Obviously the creative force of the Talking Heads; he directed and starred in the cult movie True Stories; partnered with Twyla Tharp for a Broadway show called The Catherine Wheel; he won an Oscar for best composition in the The Last Emperor and has been featured on multiple soundtracks; he is the founder of Luaka Bop which is a world music record label; he launched an internet radio station called Radio David Byrne; he is also a visual artist with several installations both to his name and anonymously, including designing bike racks in 2008 in Manhattan and Brooklyn.
AND he manages a web site where he frequently posts personal comments http://www.davidbyrne.com/. Permission to feel like a lazy schmuck granted.
Go see David Byrne because he is the coolest and most versatile 57 year old guy on the planet. He can still sing, dance, and entertain, and you will be surprised by how many of the songs you will know even if you don't think you know his Brian Eno collaborative work because it runs consistently through his career. So buckle up for a good summer ride. I am jealous of you Coloradans that have the luxury of seeing him at Red Rocks on June 20th.
My final note is a personal comment that David Byrne posted on his web site in July 2007. I think it sums up the current situation/dying of the traditional music business. My thoughts exactly:
"There was another piece in the Times today about yet another 20 percent drop in CD sales. (Are they running the same news piece every 4 months?) Jeez guys, the writing's on the wall. How long do the record execs think they'll have those offices and nice parking spaces? (Well, more than half of all record A&R and other execs are gone already, so there should be plenty of parking space). They, the big 4 or 5, should give the catalogues back to the artists or their heirs as a gesture before they close the office doors, as they sure don't know how to sell music anymore. (I have Talking Heads stuff on the shelf that I can't get Warner to release.) The "industry" had a nice 50-year ride, but it's time to move on. Luckily, music remains more or less unaffected — there is a lot of great music out there. A new model will emerge that includes rather than sues its own customers, that realizes that music is not a product in the sense of being a thing — it's closer to fashion, in that for music fans it tells them and their friends who they are, what they feel passionately about and to some extent what makes life fun and interesting. It's about a sense of community — a song ties a whole invisible disparate community together. It's not about selling the (often) shattered plastic case CDs used to come in." - David Byrne
Thanks to lala.com for bring the factual goods to the table this time around.