Quips and summaries from experiencing and appreciating music in a city that is as foreign and familiar as they come - New York. So here is to music anywhere and everywhere. Starting from concert one on week one after the move in 2009.
Showing posts with label Bowery Ballroom. Show all posts
Showing posts with label Bowery Ballroom. Show all posts

Wednesday, February 24, 2010

A Lecture By David Byrne

I recently attended a night of stories at the Bowery Ballroom
with David Byrne as the headliner. It was called Stories in High Fidelity.
New York writer Alan Light told a wonderful story of his 6 year
old's obsession with the Beatles. Dan Kennedy discussed his summer
working in a record store in the Midwest as a 'project' for his next novel
- he reflected on the perils of filing punk and metal albums and how to tell
the difference by the cover art or elements of the band name
(Ex. where does one put an album where the cover art features skeletons
with gas masks on standing over a pool of blood? - Metal).
The main event was Mr. Byrne, his laptop, a screen behind him
and a sound guy on cue. He was engaging and intelligent as I
have always seen him in interviews though he seemed a bit more
scattered even nervous for this particular showing. That said, the ideas
and views he shared during his speech was fascinating. He focused on
music (obviously) but started with music hundreds of years ago
- how music used to be created for a particular environment such as
Mozart and Beethoven performing in beautiful performance halls with
meticulously built acoustics eventually leading to huge car speakers
being a popular vehicle for rap music. He talked about how the
portable music player changed a listener's experience; you now have
the ability to hear very intricate arrangements and every lyric of a song.
He transitioned into how this change of music affects how musicians
create and are ultimately compensated for their creations
(records, performances, etc). He made this transition by explaining
how birds that keep low to the ground have a lower pitched song when
calling each other and higher flying birds, a higher pitch to their call.
However, for the birds living in and around San Francisco, as the traffic
and noise of the city has increased their pitch has gotten higher in order
to hear each other's call. I thought it was a very creative way to say that
even though the environment can change for a musician, the need to create
sound and be expressive through song will always exist and music will always
be made. Humans are just like birds in that they will adjust because we
need and love the sound. Well put, la resistance musicians!
The night was wrapped up well by singer Nicole Atkins performing an
acoustic set, just her and her guitar, where cartoonist Michael Arthur
drew a scene related to each song and it was projected on a screen behind Nicole.
With every song he started a new drawing off the last one so by the end
of her set was this cool little cluster of images. My friend said Bright Eyes
had done a similar stunt at a concert she had attended. It reminded me of this
artist that was very popular in Denver, Denny Dent, who would perform
publicly painting these huge murals in three songs or so. They were often
the pictures of the artist he would play though the way he painted you did not see
the likeness until the very end - when he painted Jimi Hendrix he had to turn
the painting upside down to see that it was in fact Jimi. Coming back from
that tangent, Nicole Atkins has a pretty great voice and the cartoons actually
helped to understand the stories of her songs.
Go see David Byrne whenever he is speaking, no matter what he
is speaking about. This one lecture gave me a new way to say the music
industry will survive and new awesome music will always be
there to discover.

Monday, December 7, 2009

Rob Drabkin

On Monday, November 30th I had the opportunity to see an old friend from high school take the stage at the Bowery Ballroom in NYC. Rob is currently on tour opening for Davy Knowles and Back Door Slam; a very talented guitarist from the tiny Isle of Man (I had to look it up, note how funky their flag is when you look it up too).
Back in high school Rob was our school's resident guitar virtuoso so it makes sense that he is working to become a successful musician. He is getting popular in our hometown of Denver and after this tour, his first national tour, I expect great things from him.
What was surprising about his show is how strong and clear his voice was; surprising because he never sang in high school and if you read his bio on his web page (below) he only recently decided to incorporate singing with his guitar playing. I was also impressed by how well constructed the lyrics of his songs are, they are fun to listen to but always have a much deeper meaning.
You can get his CD on iTunes or through his web site: http://www.robdrabkin.com
A few good reviews of Rob:
"The surprise of the night was the middle act, Denvers Rob Drabkin. Taking the stage armed with an acoustic guitar, a djembe (small acoustic drum) player and an afro that would have made a Will It Go Round In Circles-era Billy Preston proud, Drabkin lit into the first of many short stories told with guitar and drum....His intricate finger picking method and character driven songs got our attention. With a voice and song structure not too far from Dave Matthews, just this side of Jack Johnson, Drabkin won me over... By the end of his set, I was a fan, bringing his cd home for closer inspection." - A.J. Crandall, KINK FM Radio. Show Review Oct 6th, 2008.
"Rob Drabkin somewhat mirrors Jack Johnson. Not so much in a musical way, but in a singer/songwriter way that will shoot him from MySpace to MTV faster than he can cut his distinctive hair. People were obsessing about Jack Johnson in 1997 when he appeared on Napster and now, almost 10 years later, his name is as common as a hipster drinking a PBR and riding a Vespa. If he keeps this up, he will shoot out of the local scene faster than The Fray" --The Colorado Daily.

Thursday, November 5, 2009

FLO - That Girl Can Sing

My biggest band crush and band du jour for awhile now has been - Florence and The Machine. Last Tuesday, October 27, it came to fruition by seeing Flo play to a sold out crowd in New York's famed Bowery Ballroom. I felt privileged not only because the Bowery is one of my favorite music venues ever but also because Florence only played this show and David Letterman. In early 2010 she is headed to Australia; she has no scheduled dates in the U.S. right now. Ya hear that, the crowd was selective and I was there! THIS is why I live in New York to all you hating on the Big Apple and it's rain, crazy prices and the smell of hot trash in the summer. The added perk was that the crowd was mostly crazed POMs (property of the monarchy) that had been fans for awhile since she is massive in Europe. One of my favorite attendees was a Scottish girl was a dead ringer for Jennifer Saunders' Edina Monsoon from Absolutely Fabulous. I sought her out at the after party and made friends, which was conveniently at BEAST, the late night bar around the corner from my Lower East Side abode.
My early favorite song on the album was Dog Days Are Over. It just makes you want to sprint in escape and I discovered it at the perfect time when summer was coming to a close and you could feel the leaves growing restless and preparing to make an exit and sweaters making their way into the popular clique in my closet again.
It was at the concert, however, that I discovered how awesome her song Cosmic Love is; a tour de force that was the perfect encore song. The song as a noun yelled at us in perfect pitch ' You had a good time tonight, go get drunker than you should for a Tuesday and moving forward remember to live with more conviction.' Pretty intense right, well I told you I really REALLY liked her.
I made a lala playlist of Flo's album and stuck it to the right of the page - just be sure to click the grey play/arrow button on the top and you can listen to it for free on my site without visiting lala.com. However, for the last bloody time, go visit lala and get a world of music that falls right smack between Pandora and iTunes, blending the best of both worlds. Then start following me - Katie M. - and you will be privy to all of the playlists I make and what songs I listen to and when - enter my weird little world amigos. (Disclaimer: Yesterday was a weird day, I think I channeled a 15 year old with braces from Omaha, so please disregard me listening to the entire new Carrie Underwood album and then switching it up by listening to the New Moon Soundtrack. I listened to the new Fanfarlo album all today to get back on track, which is sooo good).
Finally, I HAVE to love Flo and her Machine because I made the ginger oath long ago: To defend and champion your fellow red haired beauties. Make eye contact across whatever room, let them be the first person you try to meet at a party, share stories, discuss the genius of Ann Margaret and abhor the connection to Lindsay Lohan, and when applicable compare freckles.
Here is a short little interview and Florence playing a stripped down version of the song Boy Builds Coffins. Her drummer 'plays' the park railings.